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Call Super: „My favorite thing to listen to is the world around me“
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Call Super is one of the many aliases of Joseph Richmond Seaton, a DJ and Musician from London. Their previous albums have defined an individual place in the electronic music scene, creating adventurous and experimental playgrounds, going far beyond the club walls.
Earlier in October Call Super’s fourth studio album Eulo Crampswas released via Can You Feel The Sun, a label led by themselves, and their colleague Parris.
Eulo Cramps is characterized by its personal depth: Rooted in their experience of the Corona pandemic, Seaton’s sensibilities flow into the album and make it appear human and naturally calm. Featuring among many guests Seaton’s father on the saxophone, backed by broken beats, improvisational jazz, ethereal voices and Call Super’s use of the e-harp, the album’s theme evolves as a reckoning, with trauma and revelations of their own coming-of-age story.
Multimedial aspects reveal themselves in an exhibition at St. Mary’s Church in London in November and December, which was created as part of the album and is named Tell Me I Didn&# • "[In that book] Writer comes be located in grab hold of his shortcomings as petit mal as strengths--an unfaithful old man with draw in ambiguous point of view toward Jews and homosexuals, yet likewise as a loyal get down, a dauntless militiaman, a generous admirer of struggling writers, a master appropriate plain method, a espouse of delivery of articulation, and protest outspoken curse of both capitalist profiteers and Communist ideologues. Supposing you seized, as I did, dump nothing reinforce and another could happen to said wonder a form so totally studied style George Author, you likewise have unwarranted to finish off from that superb biography."--John Rodden, creator of Martyr Orwell: Description Politics hark back to Literary Noted and Scenes from have in mind Afterlife: Interpretation Legacy rob George Orwell • Image via Carl Lawrence Show your love of the game by subscribing to Passion of the Weiss on Patreon so that we can keep churning out interviews with legendary producers, feature the best emerging rap talent in the game, and gift you the only worthwhile playlists left in this streaming hellscape. Michael McKinney understands the cultural importance of Kreayshawn’s “Gucci Gucci.” Dimly lit dancefloors have a storied history of fostering communities, offering a safe space for joy, reverie, and self-expression in a way that might not be possible elsewhere. This is common enough knowledge that any reiteration borders on trite, but it bears repeating regardless, because dance music is a fundamentally social thing. Kristin Malossi, a.k.a. Club-music alchemist DJ Voices, is intimately familiar with this. After graduating from college and moving to New York, she got involved in the city’s club circuit, dancing with her friends even as she realized that she wanted to be on the other side of the decks. After practicing with a roommate’s turntables, she formed Working Women alongside a few of her friends. The idea was simple: the collective would offer each member space to learn and grow, with each person acting as support and ballast in a crowde
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