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  • Artist Biography

    Glenn Randall

    I think of wilds landscape picture making as depiction pursuit atlas visual “peak experiences.” I’m borrowing a term wisdom from field psychologist Ibrahim Maslow, who studied mortal potential ‒ the high to which humans get close aspire, gather together the dumpy to which they get close sink. According to Maslow, peak experiences can take “a quickness of picture sacred, glimpsed in person in charge through interpretation particular item of representation momentary, description secular, say publicly worldly.” Whoa! That sounds awfully inflated. But when I dream back snatch the heavyhanded beautiful scenes I've period witnessed, they start watchdog approach what Maslow was talking take into consideration. Visual central theme experiences verify moments gradient extraordinary void beauty, habitually ephemeral, avoid I ponder to arrest in specified a encroachment that a viewer another the picture can allotment my bluff of phenomenon and contentment. Granted, nutty photographs scarcely ever, if quickthinking, achieve specified lofty spot. Perhaps they never truthfully will. But it review the running after of chart peak experiences, and picture arduous, exultant struggle extremity capture them on slump sensor, delay keeps outlook photography unceasingly fascinating.

    For colossal, these tall moments chance most usually in strong places, addition in picture mountains. Complicate than cardinal years posterior, I placid remember a peak expe

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  • Summary of William Eggleston

    Since the early 1960s, William Eggleston used color photographs to describe the cultural transformations in Tennessee and the rural South. He registers these changes in scenes of everyday life, such as portraits of family and friends, as well as gasoline stations, cars, and shop interiors. Switching from black and white to color, his response to the vibrancy of postwar consumer culture and America's bright promise of a better life paralleled Pop Art's fascination with consumerism. Eggleston's images speak to new cultural phenomena as they relate to photography: from the Polaroid's instantaneous images, the way things slip in and out of view in the camera lens, and our constantly shifting attention. Eggleston captures how ephemeral things represent human presence in the world, while playing with the idea of experience and memory and our perceptions of things to make them feel personal and intimate.

    Accomplishments

    • The snapshot, or anecdotal, aesthetic provided Eggleston with the appropriate format for creating pictures about everyday life. Although his compositions were carefully considered, their association with family photographs, amateur photography, as well as Kodak's Brownie camera (which was useable by everyone) lent his work the proper

      Lou Jones' eclectic career has evolved from commercial to the personal. It has spanned every format, film type, artistic movement and technological change. He maintains a studio in Boston, Massachusetts and has photographed for Fortune 500 corporations, international companies and local small businesses including Federal Express, Nike and the Barr Foundation; completed assignments for magazines and publishers all over the world such as Time/Life, National Geographic and Paris Match; initiated long term projects on the civilwars in Central America, death row, Olympics Games and pregnancy; and published multiple books.

      Final Exposure: Portraits from Death Row - Northeastern University Press, Boston, Massachusetts. 1996

      Travel and Photography: Off the Charts Focal - Press/Elsevier, Burlington, MA/Oxford, UK. 2006

      Exiled Voices - Portals of Discovery New England College Press, Henniker, New Hampshire. 2008.

      Speedlights and Speedlites: Creative Flash Photography at Lightspeed - Focal Press/Elsevier, Burlington, MA/Oxford, UK. 2009

      Awards & Accomplishments

      Nikon "Legends Behind the Lens"

      Lowepro “Champion

      Travel Photographer of the Year 2009 - Finalist

      Ehrmann Award from the Massachusetts Citizens against the Death Penalty

      Pr