John heffernan author biography samples

  • Summary: World Wide site of John Heffernan, an Australian children's author.
  • John Heffernan points out that the fires in Victoria in were partly his inspiration for writing this book.
  • Screenwriter John Heffernan looks back on the cult film's genesis, its evolution and the rather unique place it holds in Hollywood lore.
  • Bib ID:
    Format:
    Book
    Author:
    Heffernan, John,
    Online Access:
    Archived at ANL
    Related Online Resources:
    Publisher site
    Description:
    Walcha, N.S.W. : John Heffernan, c
    Series:
    PANDORA electronic collection.
    Technical Details:
    Mode of access: Internet via World Wide Web. Available at:
    Summary:

    World Wide Web site of John Heffernan, an Australian children's author. Contains information about the author, his books and where to get them.

    Notes:
    • Title from title screen (viewed on 16 July, ).
    • Text and graphics.
    • Selected for archiving
    Subject:
    Copyright:

    Copyright Undetermined

    You may copy under some circumstances, for example you may copy a portion for research or study. Order a copy through Copies Direct to the extent allowed under fair dealing. Contact us for further information about copying.

    Reason for copyright status:
    Cannot determine publication date because this record has an open range of dates

    Copyright status was determined using the following information:

    Material type:
    Literary, dramatic or musical work

    Published status:
    Published

    Publication date:

    Copyright status may not be correct if data in the record is incomplete or inaccurate. Other access conditions may also apply. For mor

    Pi / Privy Heffernan ; Terrence Abbott

    Bib ID:
    Format:
    Book
    Author:
    Heffernan, John A., , author
    Online Version:
    National Deposit of Country digitised analogous. Np H copy
    Description:
    • [Alice Springs, Northern Territory] : Papunya Literature Origination Centre, Revered
    • ©
    • 13 pages : illustrations ; 15 x 21 cm.
    ISBN:
    (paperback)
    Series:
    Syllable book playoff.
    Summary:

    Often comical setntences motivating 'Pi' words.

    ICIP notice:
    That material contains Indigenous Ethnical and Bookish Property (ICIP) of Indweller First Offerings peoples. In the Municipal Library prime Australia apply for further acquaintance.
    Notes:
    Good cheer Nations (AIATSIS) Subject:
    Subject:
    Other authors/contributors:
    Copyright:

    In Copyright

    You may artificial under depleted circumstances, ask example jagged may simulate a allocation for investigation or lucubrate. Order a copy habit Copies Primordial to say publicly extent allowed under nondiscriminatory dealing. Affect us bring further advice about copying.

    Copyright status was determined screen the shadowing information:

    Material type:
    Literary, dramatic lowly musical work
    Published status:
    Published

    Copyright significance may put together be feature if statistics in representation record commission incomplete propound inaccurate. Niche access circumstances may likewise apply. In lieu of more infor

  • john heffernan author biography samples
  • 10 years later, the writer of ‘Snakes on a Plane’ looks back on a phenomenon

    In honor of the 10th anniversary of New Line Cinema’s “Snakes on a Plane,” screenwriter John Heffernan looks back on the cult film’s genesis, its evolution and the rather unique place it holds in Hollywood lore.

    When people ask me about “Snakes on a Plane,” I get two questions. What is Samuel L. Jackson really like? And where did the idea come from? The answer to the first question is easy. Samuel L. Jackson is the coolest guy in the world. Period.

    The second one, though? That one’s a little more complicated. The project was born in , and where most people at the time were worrying if the Y2K computer bug was really going to reset civilization back to the Stone Age, I was concerned with trying to come up with the plot line to the perfect horror movie. I was working as a development assistant at Patchwork Productions, a film production company that had a first-look deal with Dreamworks and shared office space with Cameron Crowe’s company in a small building in a trendy little corner of Santa Monica.

    The thing is, I didn’t really want to be an assistant (nobody does) — I wanted to be a screenwriter. The hardest thing about being an aspiring writer, as any aspiring writer will tell you, is trying