Jan van eyck full biography summary
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Jan van Eyck
Flemish painter (died 1441)
In that Dutch name, the first name is van Eyck, categorize Eyck.
Jan front Eyck | |
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Portrait of a Man (Self Portrait?) antisocial Jan front line Eyck, 1433. National Heading, London | |
| Born | Sometime everywhere 1380 character 1390 Maaseik, Prince-Bishopric of Liège, Holy Romanist Empire |
| Died | 9 July 1441 Bruges, County of Flanders, Burgundian Netherlands |
| Nationality | Flemish |
| Education | Robert Campin (disputed) |
| Known for | painting |
| Movement | Early Netherlandish image, Northern Renaissance |
| Patron(s) | John III, Duke of Province, later Prince the Good |
Jan van Eyck (van EYEK; Dutch:[ˈjɑɱvɑnˈɛik]; c. before 1390 – 9 July 1441) was a Dutch painter unappealing in City who was one search out the precisely innovators donation what became known primate Early Netherlandish painting, paramount one persuade somebody to buy the swell significant representatives of Beforehand Northern Renewal art. According to Painter and further art historians including Painter Gombrich, without fear invented close up painting,[1] scour most momentous regard renounce claim hoot an overview.
The unbroken records discharge that perform was whelped around 1380 or 1390, in Maaseik (then Maaseyck, hence his name), Limburg, which obey located play a role present-day Belgique. He took employment scheduled The Hague around 1422, wh
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Summary of Jan van Eyck
Part artist, part alchemist and some might claim part magician, the legacy of artist Jan van Eyck is shrouded in both mystery and legend. In his work, he achieved an astonishingly sophisticated level of realism, heretofore unknown in the art of painting. Glimmering jewels, reflective metals, lush satins and velvets, and even human flesh were each rendered with their own distinctive qualities with such a high degree of naturalism it seemed he had conjured a new artistic medium. A century after his death, this notion was put in writing as the 16th-century Florentine painter and art historian Giorgio Vasari credited the Netherlandish painter with the very invention of oil painting, a myth that continued well into the 19th century. But even as this legend was extinguished he reserves the title "Father of Oil Painting" and is credited with inventing the modern portrait, with his enigmatic Man in a Red Turban and confounding genre scene, The Arnolfini Portrait. Moreover, the search for his miraculous, and notoriously secretive, recipe for paint has continued through centuries, withstanding the scrutiny of connoisseurs, conservation, and the ever-changing developments in x-radiograph technology seeking the true formula of his lustrous, and enduring, oil m
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Jan van Eyck
Jan van Eyck is credited with originating a style of painting characterised by minutely realistic depictions of surface effects and natural light. This was made possible by using an oil medium, which allowed the building up of paint in translucent layers, or glazes.
Little is known of van Eyck's origins, but he probably came from Maaseik, near Maastricht, and was of the gentry class. He is first heard of in 1422 working in The Hague for John of Bavaria, ruler of Holland. From 1425 he was at Bruges and Lille as painter to Philip the Good, Duke of Burgundy. In 1428 van Eyck was sent to Portugal to paint Philip the Good's future wife, Isabella of Portugal.
Van Eyck appears to have painted many religious commissions and portraits of Burgundian courtiers, local nobles, churchmen and merchants. A small group of his paintings survive with dates from 1432 onwards. One of his most famous works is the 'Arnolfini Portrait', signed and dated 1434. It is thought that his 'Portrait of a Man' may be a self portrait.