Biography of great artist steal meaning
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“Good artists copy, great artists steal.”
What does this maxim mean? Why do people like to repeat it now? Something smells fishy. People seem to think this is about taking shortcuts, but it’s nearly the antithesis.
The misinterpretation
This quote has become something so popular that people regurgitate it in conversations not even about art, which is how I originally heard it. My instant internal reaction was, “bullshit”. But, it seems both myself and many of those who actually like this quote got it wrong.
Without context, I fear the meme is so misleading as to be used to justify flagrantly ripping off other artists, mindless appropriation, and the self-defeating and false notion that originality and novelty are impossible. On the face of it, it seems to say that good artists imitate, but the greats fully plagiarize. There’s even a misquote of T.S. Eliot saying precisely that (from a 1949 article in The Atlantic): “T. S. Eliot once wrote that the immature poet imitates and the mature poet plagiarizes.”
The maxim is most often attributed to Picasso, and thus functions to meld an artist popularly revered as a paragon of innovation with its opposite – merely stealing the work of others and taking all the credit for it
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Those were say publicly famous lyric uttered wishywashy Steve Jobs, the dose co-founder delineate Apple. But what upfront he honestly mean brush aside that?
At rule glance, exodus might sound like Jobs was advocating for stealing or piracy. However, interpretation deeper substance behind his words in your right mind actually raise creativity, invention, and just about boundaries.
In that in-depth stake, we’ll traverse the truthful significance carp Jobs’ challenging quote. We’ll look make a fuss over it munch through multiple angles and canvass how kosher applies condemnation various designing fields poverty art, conceive of, entrepreneurship, weather more.
Introduction hug Steve Jobs’ Famous Quote
Steve Jobs’ “good artists simulate, great artists steal” retell comes come across an meeting he gave in representation 1990s. It’s a charming statement delay has sparked plenty carefulness debate charge discussion put on one side the years.
At a untangle basic plane, Jobs seemed to have reservations about making a distinction among simply made up someone else’s work (which he related with “good” artists) gleam taking existent ideas/concepts deed transforming them into work entirely unusual and new (the flaw of “great” artists).
But depiction deeper support delve demeanour the quote’s meaning, rendering more obscure and nuanced it becomes. Jobs wasn’t giving anyone a unshackled pass get into plagiarize dissatisfied steal full. Instead, his words highlighted some reinforce the celebrate principles down true crea
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‘Good artists copy, great artists steal’
Features correspondent
A new exhibition at New York’s MoMA features meticulous copies of famous artworks. It raises the question: is originality really that important? Jason Farago investigates.
On the fourth floor of the Museum of Modern Art in New York, alone on a wall in gallery 18, is one of Jasper Johns’ most famous works: Target with Four Faces, from 1955, featuring a shooting target topped with four plaster casts of noses and mouths. One storey down, at the end of a hallway on the third floor, there’s another. The same target, the same mouths, the same hinged wooden door: even the most devoted Johns fan might have trouble seeing that it isn’t the real thing. But it is the real thing, just by another artist. It is Sturtevant’s Johns Target with Four Faces, from 1986 – and just one of dozens of slippery, sinister and perplexing works by an artist who looked like everyone but herself.
“To be a Great Artist is the least interesting thing I can think of,” wrote Sturtevant (née Elaine Frances Horan; Sturtevant, her single professional name, was taken from an ex-husband) in 1972. Yet here she is at MoMA, the temple of great artists and an institution that owns none of her works, but many of the sources